9/25/2023 0 Comments Abstract plaster sculpture![]() ![]() She began receiving critical recognition, and continued expanding her work, moving literally outside the box. She displayed sculptures created from boxes, leveraging her Cubist roots and obsession with space into something entirely new. ![]() ![]() In 1941, Nevelson had her first show at Nierendorf Gallery, marking her breakthrough in the fine art world. She continued to take every opportunity to expand her art horizons, even taking up modern dance as part of her ongoing fascination with space and how space is occupied. She soon met Diego Rivera, and began working as an assistant to him. ![]() After a brief stay there, she returned to the United States and the Art Students League. The box is a cube.†After traveling for a few more months, she returned to the United States to be with her family, but soon returned to Europe, eager to learn more in the art schools of Paris. In her words, “f you read my work, no matter what it is, it still has that stamp. Cubism as he taught it resonated with Nevelson, and had a major effect on shaping her later work. She found escape in visiting museums, where she was inspired by things as diverse as Japanese Noh theater costumes and cubist artworks, and by attending art classes at the Art Students League.įinally, in 1931, she left her husband and traveled to Munich to study with Hans Hofmann. Despite her love for her new home, Nevelson found herself very unhappy in her marriage, particularly after the birth of her son. She was immediately enraptured by the city, and took full advantage of the opportunities it offered to a young woman with a thirst to learn: she took acting and music classes, attended concerts and lectures, and visited museums. They married in 1918, and she moved to New York City. When she was eighteen, she was introduced to Charles Nevelson, a wealthy New Yorker, by his brother Bernard, with whom she had become friends when his work in the shipping business had taken him to Rockland. In school, she had no aptitude for academics, but excelled in her art classes, and enjoyed creating whimsical clothing for herself, constructing hats and other items. She often played with the scraps as a child, taking an early interest in sculpture. The family settled in Rockland, Maine, where her father ran a lumberyard. Louise Nevelson was born to a poor Jewish family in Kiev in what was then the Russian Empire in 1899, but immigrated to the United States with her family in 1901. Her work was cutting-edge during her lifetime and remains relevant, her unique approach to storytelling and her breathtaking, gothic silhouettes as fascinating to modern viewers as they were to her contemporaries. Her bold constructions using found objects shook the art world, as did her often scandalous, larger than life persona. Lot Essay: Louise Nevelson was a powerhouse of modernist sculpture. Provenance: Estate of the Artist Private Florida Collection Washburn Gallery Private Massachusetts Collection Private Minnesota Collection. 1935.Įxhibitions: Washburn Gallery, New York, "Louise Nevelson: Sculpture and Drawings from the 1930s," March 21 - April 19, 1997. Black plaster abstract sculpture depicting a figure on a marble base, ca. Louise Nevelson (Ukrainian/American, 1899-1988). ![]()
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